Questions and Answers

One of my goals when I began this blog was to bring as much recognition to Alice as to Gertrude. Though my use of the term “GertrudeandAlice” implies a symbiotic relationship, which it was, Alice still often plays second fiddle to Gertrude’s first chair violin for some people.

I think I have been able to rectify this disparity of wellknownness over the years and I must think that even Gertrude would not be upset to know that Alice has gotten her due as so much more than chief cook and bottle washer!

In the next few months I propose giving Alice even more due !

March 7, 2017 marks the 50^th anniversary of Alice’s death, so I’m declaring the six month period from now until Alice’s 140^th birthday on April 30^th ALICE B. TIME! And by chance, there are a lot of Alice related things happening during ABT. » Read the rest of this entry «

This year is the 5th anniversary of my book GERTRUDE AND ALICE AND FRITZ AND TOM. I know it’s a cliche, but I must say it anyway – “Where has the time gone?” 

The book has found its way to readers around the world and just last week I shipped another five copies to Shakespeare & Company in Paris, which has sold more copies of it than any other bookstore or online retailer, which I find so appropriate and gratifying.

Would I do it again? Yes! Do I have more tales to tell, yes! But for now, here is my post from five years ago, as I awaited the first shipment of books from Singapore:

Wasn’t it Lady Macbeth who said “What’s done is done,” at some point either before or after that bloody dagger scene? (Just checked, it’s after the dagger scene – that would be logical !)

…the deed is done!

Well, I’ve done it too and feel a bit like a parent dropping off his first child at kindergarten hoping for the best as tears well-up and Miss Crabtree leads the young one away to join the other rascals.

Miss Crabtree in charge

So what is it that’s been done – the children’s picture book which I’ve been working on for…let’s just say many,many years is on its way to a printer in Singapore!

» Read the rest of this entry «

Happy birthday, Alice Babette! This is not just a wish today on Alice’s 139^th birthday, but also a new children’s book by Canadian author Monica Kulling published a few weeks ago by Groundwood Books.

GertrudeandAlice join a long line of famous people that Ms. Kulling has featured in her books including Eleanor Roosevelt, Harriet Tubman, and Henry Ford. Other books have been about lesser known trailblazers such as Margaret Knight, the inventor of the paper bag making machine, and Lillian Gilbreth, the first female engineer with a PhD, who was immortalized by her children in the book Cheaper by the Dozen. » Read the rest of this entry «

A post from Paris via Fogo Island, Toronto and San Francisco.

As the year ends with the usual holiday celebrations, it is also time to celebrate another event, the 3rd anniversary of the publishing of GERTRUDE AND ALICE AND FRITZ AND TOM.

Sometimes it feels as if this happened a long, long time ago, but whenever I pick up a copy of the book to send out, there are still very positive feelings of accomplishment, newness and satisfaction.

A few weeks ago, those feelings hit an all time high when a package arrived from Toronto. In it was an exquisite bottle of Turkey Hill maple syrup – “Canada No. 1 Light,” some Mary MacLeod’s Shortbread – “Handmade All Butter,” two, attractive greeting cards (one with the Cat in the Hat, the other with the image of a folk art style elephant), several photographs, and a block letter written note, which looked very much like the one from Fritz and Tom in my book.

» Read the rest of this entry «

The role of a critic in any field, whether in the arts, food, fashion and so on, is a balancing act. If a critic is too “nice,” (s)he is often suspected of being in cahoots with what is being evaluated.  If a critic is too harsh, (s)he is often branded as someone who has lots of bad days and is taking it out on someone else. And if a critic is wishy-washy, readers often question the critic’s credentials and move on to the critiques of other writers.

A few weeks ago, a friend sent me an e mail mentioning a new novel which features Gertrude Stein as a central character. It was written by a respected Moroccan poet, Hassan Najmi , and has recently been translated into English. It is simply called GERTRUDE, but that is where the simplicity ends.  My response to the book after reading it is far from simple and is, in many respects, very complicated and perplexing.  The book is published by Interlink Publishing whose tagline is  “Changing the Way People Think About the World.”

How about replacing a few words making it “Changing the Way People Think About Literary Icons by Dragging Them Through the Mud?”

» Read the rest of this entry «

The year was 1934. FDR was in the second year of his first term as President.  The top movie of the year was “It Happened One Night” with Clark Gable and Claudette Colbert. And the theater and opera world were agog about FOUR SAINTS IN THREE ACTS!

The agogism wasn’t because the opera’s title was a lie, as there were more than four saints and more than three acts in the piece. Neither was the music by a not too well-known composer, Virgil Thomson,  particularly revolutionary.  Yes, it had an all-black cast, a first for an opera or theater work on Broadway (this was pre-Porgy and Bess), but what raised eyebrows and caused agogamania was the libretto by Gertrude Stein, that little read, but very much in the public eye, personality and transplanted American from “artsy-fartsy Paris!”

a few of the original Four Saints, standing, not marching, at this point

Why with lyrics from one of its most well-known refrains, why wouldn’t there be Steinmania across America?

“Pigeons on the grass alas.
  Pigeons on the grass alas.
  Short longer grass short longer longer shorter yellow grass. Pigeons

large pigeons on the shorter longer yellow grass alas pigeons on the
grass.
  If they were not pigeons what were they.”

When Gertrude’s editor for the book version of the opera, Saxe Commins at Random House, raised questions about the libretto, she turned to him, stared him in the eyes and said “My dear, you simply don’t understand!”

Now, almost 80 years later, an exciting, new version of  FOUR SAINTS, Gertrude Stein SAINTS!,  comes to New York in a few weeks to the La MaMa Theatre, the  historic off-off Broadway theater (it’s where the musical HAIR was created and performed in 1968), as part of this year’s New York International Fringe Festival.

These SAINTS! are marching in to the beat of a different drummer in more ways than one!

“Oh Lord I want to be in that number…!”

Here’s a bit of history and background:

“Our initial investigation into Stein’s work began with an all-male production of Four Saints in Three Acts at Carnegie Mellon University in February of 2013. Stein’s libretto offers no plot, no characters, and no conflict; it is a non-narrative text that can best be described as linguistic gymnastics.  In all this absence, anything becomes possible and what we have discovered is a Theatre of Joy. The response to the original production was overwhelmingly positive and became an invitation for more. We have since added an all-female Saints and Singing, also featuring an original musical score inspired by American music created by insanely talented performers. The two works are combined to create Gertrude Stein SAINTS!, a powerhouse that explores gender, a theatre that replaces conflict with joy, and America.”

Under the guidance of director Michelle Sutherland, this production has also tapped in to the 21st century’s answer to the patronage of the Medicis or the generosity of the Rockefellers, Guggenheims, or Fords, by raising funds through kickstarter.com. The goal of the 21 day campaign is $9,000, of which more than two-thirds has been pledged and there is one week to go!

Lorenzo de Medici looking like a saint. Right?!

Be a part of this! Haven’t you always wanted to be a Medici or Rockefeller? And if you’re in or near New York City next month, get your tickets soon.

www.kickstarter.com/projects/1345434627/gertrude-stein-saints

If they were not pigeons, what were they? My dear,  SAINTS!, of course! Now you understand!

The Autobiography of Alice B. Toklas was published 80 years ago this fall.  What better way to celebrate this anniversary and Alice’s birthday on April 30th (Happy 136 !),  than with another autobiography, but not just any autobiography would do and it hasn’t!

The 1933 Autobiography:
“Bedtime, Pussy?”

Just a few weeks ago THE AUTOBIOGRAPHY OF DANIEL J. ISENGART by Filip Noterdaeme was published by Outpost19. Honoring the style of Stein’s faux-biography, Noterdaeme writes about his partner and their life together.  They are the new expats, one from Belgium, one from Germany, and their Paris is Brooklyn, New York City, the Hamptons and beyond.

But who are FilipandDaniel, the GertrudeandAlice of the 21^st century, whose book ushers in the 80^th anniversary year of THE AUTOBIOGRAPHY?

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There are certain people, both real or imaginary, who will always remain children in our memory.

From Peter Pan and his followers in Neverland, to Christopher Robin dragging Winnie the Pooh behind him, to the precocious rascals of the Our Gang comedies and the Depression-era tap dancing and ever-smiling Shirley Temple, these young ‘uns are ageless!

The ageless Peter Pan

A bumpy ride for Mr. Pooh.

All together now rascals!

Miss Temple tapping the blues away!

I’m adding to this menagerie of Shangrila cuties, Arthur Anderson Peters, who wrote under the name Fritz Peters.  Fritz would have turned 100 years old today.

Fritz at the age he was in Gertrude and Alice and Fritz and Tom

It was the wonderful chapter in his memoir, BOYHOOD WITH GURDJIEFF, which inspired me to write my picture book GERTRUDE AND ALICE AND FRITZ AND TOM.  I just couldn’t resist retelling the story of two young boys, Fritz and his brother Tom, reveling under the tutelage of GertrudeandAlice in 1920s Paris.  (Woody Allen, there’s a Paris sequel for you!)  And Fritz’s quote about his years at the boarding school outside of Paris helped to make the decision to do the book even easier:

 “I have never forgotten that winter.  The long evenings of reading and study in our warm rooms [and] looking forward to my visits to Paris with Gertrude and Alice.”

On his 100^th birthday, I pay tribute to Fritz Peters, a tribute that is long overdue.

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Just a timely, mini- post:

“Come and say what prints all day. A whole few watermelon. There is no pope.”-Gertrude Stein, TENDER BUTTONS (1914)

Some big Pradamelon shoes to fill:

Eleven.Eleven.Eleven.

“Ill get you my pretty, and your little dog too!”

11.11.11.  The eleventh hour of the eleventh day of the eleventh month. That’s today.  It was the day and time in 1918 that World War I – you know the war that was to end all wars (Right!)-ended.  It was formerly know as Armistice Day, but was changed to Veteran’s Day because it was easier to spell and WW I did not end all wars.

11/11/18 Wall Street, NYC

11/11/11 last year is also the official day that Tom Hachtman and I decided would be the publication date of our book GERTRUDE and ALICE and FRITZ and TOM.  We liked the way it sounded and considering all of the alliteration in the book seemed right. By the way, have heard from Tom and there is lots of post-Sandy cleanup in his home in Point Pleasant Beach, NJ.

Now one year after the publishing of our book on 11/11/12 some thoughts about the book on its first anniversary.

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